Grandpa’s Image

 

 

Grandpas

For the most part being a grandfather is a good gig.   Parents and grandmothers shoulder the real responsibilities like civilizing the  little darlings and  changing dirty   diapers.  That pretty much leaves the good stuff like  playing games, reading stories, or generally goofing off. My only complaint about the job is that collectively we have such a  lousy   image.

Whenever my granddaughters draw a picture of me a few things stand out. First of all grandma rules. I am always much smaller than my wife Diane and my hands and arms are drawn stunted and ineffectual  compared to hers.  While my actual wardrobe may leave much  to be desired, they seem  to think  I exclusively wear primary colors of the clown persuasion. However, the unkindest cut of all  is that my hair is symbolized by a  white vertical line slashed above each ear— nothing on top. There is a certain elegance that even Picasso could admire in  being  able  to so thoroughly insult both the color and quantity of my hair in two simple strokes. I can live with this visual image but what deeper meaning does it represent?

Let’s face it, the media has not been very kind to grandparents  in general and grandfathers in particular. For us baby boomers, the grandpa archetype was firmly established by actor Walter Brennan as Grandpa Amos McCoy on the television series The Real McCoys. Bib overall wearing and politically incorrect Grandpa McCoy was crotchety and interfering and if he wasn’t insulting his long suffering  daughter-in-law, Kate,  he was racially insenstive and verbally abusing the hired help– Pepino.

 Real McCoy’s writer Paul Henning, who should be on the AARP’s hit list, is also single-handedly responsible  for the rowdy  grandfather on the Bob Cumming’s Show,  Granny from the  Beverly Hillbillies and  worse of all “That’s Uncle Joe, he’s a moving kinda slow” from Petticoat Junction. Thanks a lot Paul.

Grandpa McCoy was  just one in a long line of curmudgeon grandfatherly types whose gruff exterior usually melts in the presence of some curly-haired waif. This  theme is repeatedly seen in  works of literature like  Heidi, Silas Marner, Little Lord Fauntleroy, The Little Colonel,  and a host of  others.

I suppose I prefer the curmudgeon grandparent  to the comically incompetent or mildly brain damaged one  we sometimes see in characters like the senile Grandpa Simpson the or the impulsive Sophia Petrillo from the Golden Girls.  Charlie Buckett’s Grandpa Joe from Roald Dahl’s  Charlie and the  Chocolate  Factory is a slight improvement. Although feeble and somewhat feckless,  he is at least affectionate, supportive,  and apparently slightly more sane than Willie Wonka.

Even better, however,  are the suave pipe-smoking grandfathers dressed in tweeds in movies like Disney’s The Parent Trap. At one point  in the original version the granddaughter says “Grandfathers smell like  tobacco and mints”. I have to admit that would be an improvement  over most grandfather’s I have  actually smelled, including myself.   Realistically   the best case scenarios  is  beer, brats,  and  perhaps 30 weight motor oil.

In the newspapers, grandfather’s have a positive but vulnerable image.   Bill Keane’s Family Circus featured a ghostly grandfather   and worried for month’s when  Lynn Johnson was  fixing  to kill off Grandpa Jim in her For Better or Worse  comic strip.  Jim was  an admirable  and resilient character who loves to dance,  played in  a band,  and was a respected war veteran, but the last strips he was in   focused  mostly on his  deteriorating health.  It was looking for  a long time that  Grandpa Jim would soon be meeting Farley, the family dog that Johnson previously dispatched to such great effect.    

Some where in the middle of all this is Donald Crisp’s sympathetic  portrayal of Grandpa Spencer in the  popular 1963 family film Spencer’s Mountain.  I can only remember one scene from the movie, and that is where Grandpa Spencer finds his old piggy bank laying on the ground and he starts shaking it,  trying to see if it still contains money. While he’s doing this,  he is crushed  by a large falling tree. Evidently his hearing was so poor he did not hear the tree or the warnings shouted by his son (Henry Fonda).  It may just be me, but I don’t think this movie was very grandfather friendly. It was written by Earl Hamner, Jr.   and became the basis for the saccharine  television series  The Waltons.   

Of course we baby boomers have to take some of the responsibility for the current image of grandparents since we invented the culture  of youth and took perverse pride in not trusting anyone over thirty.  The chickens have come home to roost. We also cling to the  belief that we are perpetually young and reject many traditional beliefs including how we approach grandparenting.  This  was aptly demonstrated by the character portrayed by Dyan  Cannon  in the 2001 sitcom Three Sisters.   She insisted that her grandchildren call her “goddess” instead of “grandma”. 

Perhaps  now is the time to reconstruct the image  of  grandfathers and make them more positive than just curmudgeonly  hillbillies, incorporeal ghosts,  or self-absorbed yuppies. Maybe grandfathers could even change a few diapers now and then. Just remember to be alert for falling trees,  somewhere out there is a sycamore  with your name on it.

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