Halloween is a distant memory and the scary costumes are long gone , but most childhood fears are not so easily left behind. Our five-year-old grandson and his little sister spent the night with us last Saturday. That meant that we had to exile“Shaun the Sheep” to the trunk of our car. Shaun is a character from a stop-action BBC children’s series. The show was a spinoff from the popular Wallace and Gromit films. My wife Diane bought a “Shaun the Sheep” hot water bottle cover, while on a trip to England. To most people, Shaun is an adorable little stuffed lamb with big eyes. But that’s the problem. Shawn’s plastic eyes are rather large and protruding. For some reason, these “google eyes” really scare our grandson.
We promised to take Shaun out of the house before he came to stay. I suggested that we could put Shaun in a box and then put the box on a back shelf in the closet, but he said he was still afraid that Shaun would “pop out” of the box, so we put Shaun in the car trunk instead. At first I thought this innocent expression of childhood fear was rather endearing, but the more I thought about Shaun’s cold dead eyes, the more they bothered me. I started fantasizing about it and imagined that maybe late Saturday night I would heard a loud knocking sound. I’d look out the window and see that the car trunk was open and when I reached the door, all I would see was those big “google eyes” staring back at me through the window.
None of us ever fully recover from our childhoods. Our deepest pleasures and fears reside there. Film director Steven Spielberg managed to successfully tap into his childhood fears creating scenes like the threatening trees and the terrifying clown under the bed in the movie, Poltergeist. I also remember a childhood nightmare about being chased by a Tyrannosaurus, that could have been a scene right out of Jurassic Park. Especially in his book, “It”, Stephen King exploited many of our earliest fears with another horrifying clown and a monstrous spider-like creature.
Researchers at the University of Sheffield in England were seeking data in order to update the decor of a children’s hospital. They surveyed 250 young hospital patients and found that all the children even the older ones disliked clowns. The technical term for fear of clowns and mimes is “coulrophobia” and psychologists believe that the exaggerated expression seen in traditional clown make-up is the main reason that children fear them. Being able to recognize familiar faces and interpret emotional expressions is an important developmental task for children. The grimacing clown face presents an unexpected and unwelcome enigma for kids.
When they were little, our two youngest sons were given a pair of handcrafted large and small Raggedy Andy dolls for Christmas. Our youngest son never like them and over time he started to be afraid of them. He may be our most creative child and he developed an interesting coping mechanism. Every night before he would go to bed, he would thoroughly beat up each of the dolls and then he would make them face the wall, so they couldn’t stare at him while he was sleeping.
As for our granddaughters, they seem especially frighten of spiders and bugs and they have a thing about “beetles”. They are even afraid of killing them, because they might be “stinkbugs” and smell up the place. Even our three-year-old granddaughter picked up on her sisters’ hysteria and screamed when she saw a “spider” on the floor near her toys. I was impressed by her eyesight since this “spider” was the tiniest of specks and was barely visible. I squashed it for her and she seemed satisfied and momentarily grateful.
As a child our middle son, Andy also had a fear of insect. We lived in Florida, which is well known for its palmetto bugs. Dave Barry once said, “We call them palmetto bugs because if we called them ‘six-inch-long flying cockroaches’, we’d all have to move out of the state.” In elementary school Andy had a terrible conflict. He wanted to ride his bicycle to school more than anything, but it was outside in a shed, teeming with palmetto bugs. From inside the house we could hear him scream every time he saw a bug (about every 2 seconds). Despite all the screaming, he still managed to get out his bike and ride to school.
According to psychologist Jodi Mindell from the Children’s Hospital of Philadelphia, childhood fears stem from two major sources: real life experiences and internal feelings. She believes that the childhood fear of monsters, for example, comes from personal experiences that show children that people behave destructively towards others. These experiences might include being actually injured, observing others being hurt, or being shown or told of scary possibilities.
Stories and movies are common sources of childhood fears since they often employee archetypical images and characters that have historically engendered feelings of terror. For example, as a child Diane was afraid of the witch and the flying monkeys in the classic movie, “ The Wizard of Oz”. Like many children, our oldest son was afraid of witches when he was little. Witches are archetypal and symbolize ambivalence towards the mothering figure, as well as, the fear of the dreaded “Bad Mother”. As for me I was thoroughly terrified by the old Universal Studios’ Frankenstein and Wolfman movies that my older brother insisted on watching every Friday night when my parents went out.
The second source of childhood fears is the child’s own unacceptable internal feelings. Such feelings, such as intense anger, can be extremely frightening and children often employ the defense mechanism of externalizing to help control them. Mindell says, ” Externalization refers the remarkable and normal capacity of children to create the illusion that their own unwanted feelings belong to something else rather than themselves.
Even schools can serve as an unintentional source of childhood fears. Once our middle son was frightened at school because they talked about devastating mudslides taking place “far away”. All he knew was that his grandma lived “far way” and therefore conceivably might be harmed.
When I was in elementary school our teacher taught a social studies lesson that told us the alarming story of Pedro. Pedro lived in some Central American country. One day he was out in a beanfield with his father, when all of a sudden, rocks started spontaneously floating in the field. Pedro had left his sombrero on the ground and one of the rocks even made it fly around scaring everyone. The villagers thought that the field must be haunted. It turns out that Pedro and his family didn’t realized that a full-fledged volcano was forming in the beanfield. Within a couple of weeks, a massive lava-spewing, smoke-belching volcano completely covered Pedro’s home and we never heard from poor Pedro again. Where was FEMA when you needed them?
I personally found this tale terrifying. I even had nightmares about volcanos starting up in my own backyard. The story strikes at the core of my greatest fear, namely how life is so unpredictable. A spontaneous disaster can strike at any moment. Just when you think that things are going fine, a Frankenstorm or Shaun the Sheep can pop up out of nowhere.
Origionally Published in the Souther Indiana News Journal
Toyland Tribulations
31 OctLike high fashion, the American toy industry is dominated by trends and exclusivity. There’s nothing more satisfying than getting your kid the hot new toy that your neighbor can’t seem to find.
In fact, there was even a rather mediocre Christmas movie — 1996’s “Jingle All the Way,” which implausibly pits Arnold Schwarzenegger against Sinbad in a rather violent pursuit for the year’s most popular action figure.
Over the past 30 years, I personally have traveled far and wide in hot pursuit of Strawberry Shortcake dolls, Gameboys, Transformers, Teenage Mutant Ninja Turtles, Millennium Falcons and Zhu Zhu Hamsters.
Years ago, I remember submitting an application to Toys R’ Us for the privilege of buying a Cabbage Patch Doll. Like kidnappers, they called me a couple of days later and told me to be at the store at 10 a.m. sharp if I wanted to buy the doll. When I got there, they took a small group of us chosen ones to a darkened back room, where they had a pallet full of new Cabbage Patch dolls completely covered by a black sheet of canvas. When it was my turn, I grabbed a doll and was escorted to a cashier. I didn’t even know how much it was going to cost, but things had progressed way too far to ask questions. I felt like I was buying a couple kilos of heroin.
Trends in toys constantly repeat themselves. With our three boys and now a grandson, it seems like we have gone through at least three generations of Star Wars, as well as several of Transformers, and now Teen Age Mutant Ninja Turtle toys. And just when it seems like it’s over, the Lego version appears and it starts all over again.
We made the mistake of giving away our daughter’s extensive collection of Strawberry Shortcake dolls and paraphernalia to a family that had three girls. How did we know our daughter would end up having three girls of her own and never forgive us? We still have a couple generations of Star War toys stashed in plastic bins in our basement. I’m too lazy to dig through them for the grandkids. Besides, they belong to our sons and are my backup plan in case the government ever privatizes Social Security.
The United States Toy Industry Association reports that Americans purchase more than 3 billion toys annually. With the average cost of about $7 per toy, that quickly adds up to more than $21.2 billion in direct toy sales.
According to CNBC’s Christina Berk, however, there is trouble brewing in Toyland this holiday season. Toy sales have been declining over the past decade and the trend is accelerating, according to a Goldman Sachs report Monday. As a result, Goldman downgraded the toy industry’s rating from “neutral” to “cautious.”
According to financial analyst Michael Kelter, the “amount spent on traditional toys in the U.S. per capita is down 30 percent from $85 per person to $60 per person since 1998.”
Part of the reason may be the tremendous growth in digital games played on tablets and smartphones, which are edging out traditional board games and puzzles. When videogame consoles are included, the market share of digital games has increased from 1 percent to 20 percent in the past decade.
Declines are also expected this year in the sales of Hasbro’s flagship boy toys — Transformers and Nerf weapons. Mattel, which relies heavily on perennial girls’ favorites, such as Barbie, also has been hurt by flat sales in recent years, as well as a huge decline in the preschool toy market.
Perhaps it’s the overall economy that’s to blame, or maybe it is kid’s attraction to online games and activities. Advances in electronics have certainly made toys awfully flashy and sophisticated. Some people may think that modern toys have become too complicated and explicit to encourage creative play and they lean toward classic toys that require more imagination.
As a child, I owned a red plastic console that was advertised to track missiles and satellites in space. It had a tiny opaque screen that only showed vague shadows of small plastic cutouts of spacecraft as you turned a crank. I must have spent hours staring at that opaque screen in anticipation of my current job, at which I still spend hours staring at a screen. I would have given anything if that screen would have shown a little detail, color or miracles of miracles, actually said something.
Perhaps modern toys are not imaginative enough to stimulate much creative play. In this regard, I always think of Patricia Lee Gauch’s classic children’s book, “Christina Katerina and the Box,” in which, to her mother’s horror, a young girl comes up with a number of imaginative uses for a large appliance box on their front lawn. I was thinking about this recently as I watched our grandchildren play with sticks in our backyard, which consists primarily of sticks and tics.
Watching them jogged my memory and I remembered one of my early favorite toys — the stake. Although I had a homemade swingset that my father had constructed from pipes, my favorite outdoor toy was a three-foot long, sharpened, solid-steel stake. I think it may have once been part of a of horseshoe game or perhaps belonged to a surveyor.
While a metal stake may seem like a dangerous and inappropriate plaything, the story gets worse. I remember two games we made up using the stake. The first was “Oilwell.” My friends and I hammered the stake into the ground and then attached a rope to it. We threw the rope over a tree branch and then pulled the stake out of the ground. Then we poured water into the hole left by the stake and lowered the stake again back into the hole drilling for oil until the oil (mud) finally came gushing out of the well. We added a bunch of toy trucks, cars and plastic soldiers to the scene to complete the tableau. So basically we played for hours in a large mud hole with a large sharp metal stake suspended over our heads.
Our second game wasn’t much better. Our house had once been a boarding house, so it was configured rather oddly. For example, we had two front doors. My bedroom had its own door to the outside and it lead to a porch with a railing. The steps had been removed so it was sort of like a little balcony.
I always imagined it was the deck of a ship and our backyard was the ocean. We used the porch as our pirate ship until one day Bobby suggested that we turn it into a whaler. Of course, to do this we needed a serviceable harpoon. We took the metal stake with a rope tied to it and fastened the other end of the rope to a column supporting the porch’s roof. We then took turns hurling the stake into the yard at old basketballs and pieces of newspaper (whales).
How we managed to avoid impaling some small child or skewering one of the neighborhood dogs or cats is still a mystery to me. We did managed to loosen the column supporting the porch roof and a few years later when it finally collapsed, my father removed the porch, filled in my door, and put in a window instead.
I will leave the precise interpretation of our “games” to the Freudians out there, but in retrospect perhaps children are better off with less “creative” toys after all. When I was 11, I misplaced the steel stake and started my career making toy soldiers out of molten lead, but that’s another story. And don’t get me started on my chemistry set, its alcohol lamp and “The Great Bedroom Fire of 1961.”
Originally published in the Southern Indiana News-Tribune
Tags: back porch, cabbage patch dolls, childhood, Comedy, harpoon, hazard, Humor, imagination, metal stake, mutant ninja turtle, ninja turtle toys, strawberry shortcake dolls, toys